The “viralness” of your video depends on a) whether or not your video’s tone resonates strongly enough with your target audience, and b) whether or not your target audience is web-savvy enough to forward, blog about, re-post, and redistribute your viral video to their friends, contacts, readers, etc.

An interesting statement from the post:

Some respondents said a viral video for a marketing campaign is a hit if it draws 100,000 views, while others pegged success at 250,000 or 50,000 views.

One million views seems to be the number that everyone throws around, so it’s good to see smaller numbers get some attention as well.  50,000 views is an expensive ad buy for $100k, unless your 50,000 viewers were hitting your client’s sweet spot.

But she knows that the Apple iPhone 3G comes out tomorrow.  The buzz is on her lips, and everyone’s lips.

My personal measure of marketable buzz is: if my parents are talking about it, it’s big.

How does Apple consistently generate such big buzz?  How does any company or movie or product or restaurant or web service generate it, and how do they measurably turn it into revenue?

Being in the viral video business, I have a vested interest in creating tactics for generating buzz about my videos and media, be it for marketing clients or for personal entertainment projects. Here are the characteristics of buzz:

#1 Buzz is Real, But Fleeting

Screenwriter John August and Ask A Ninja’s Kent Nichols have been downplaying the importance of film festival buzz on their blogs.

From Kent:
“I view awards [and film festival wins] as a karmic thumbs up that I’m going in the right direction. Nothing more, nothing less.”

I agree with them in that buzz alone does not create a career, or even a job, but it can generate a first step into a different world.  Once in that world, of course, you need to back it up with talent, training, and hard work.

#2 Buzz is Triangulation

Buzz is hearing about something from multiple channels on multiple levels. Media, social, and personal.

Iron Man was a perfect example of a buzz-worthy summer blockbuster movie.  The industry said it was good.  The commercials made it look good.  The reviews were good.  All that is standard mass marketing, however.  Those media outlets can be bought. The most important component to buzz can’t be bought…

The most important component to buzz, of course, is people.  Regarding Iron Man, people I actually connect with said it was good: friends, strangers, acquaintances, bloggers.  Then my mom said it was good, and there you go. Buzz achieved.

Iron Man

#3 Buzz is Buzz-Worthy!

Believe the hype! Buzz only works if the thing is actually worthwhile. The iPhone really is as cool as promised. Many friends say its the best device they’ve ever owned bar-none. But there is nothing lamer than buzz for something unbuzz-worthy. But that’s subjective, so be sure to narrow your buzz projecting to audiences that fit your product.

Case in point: Bon Iver. I’m the perfect audience for the indie rock album. So, when I heard about it on public radio, read about it on Pitchfork, and saw it on a friend’s iTunes shared folder, that was enough buzz for me. The media matched my tastes and my friend brought it home. I bought the album on iTunes.

Bon Iver

Takeaway on buzz: generate media and talking points for all kinds of talkers. Reporters from big media. Bloggers. Message boards. Casual fans using Facebook or MySpace. They’ll spread messages to all levels of people, and if it all coordinates on one set of ears, you’ll get the buzz you’re looking for.

PS — Check the behind the scenes vid.